Marked | Signed in diamondpen on the side: Tapio Wirkkala Iittala |
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Execution | Iittala, Finland between 1953 and 1959 |
Condition | Very good overall condition, minor wear consistent of age and use, no chips or cracks. |
Literature | Marianne Aav, Tapio Wirkkala eye, hand and thought: p. 302 |
Dimensions | Height 7,5 & 5 cm |
Tapio Wirkkala – Complete set of both sizes crystal Art-Object, model 3342 – Iittala, Finland circa 1955
SOLD
Uitverkocht
Two line cut, chair worked crystal art-object, Model 3342, expertly designed by the renowned Tapio Wirkkala in 1953. Crafted with utmost care by the skilled artisans of the Iittala glassworks between 1953 and 1959.
This beautiful object was made in two sizes (14 and 23 cm), this being being a rare complete set of both sizes. During the creation process, as the crystal material glowed with warmth, the bowl gracefully embraced its final shape, reminiscent of a shell. Adding to its allure, the underside of the object features meticulous hand-engraved horizontal lines, lending it a subtle textured elegance.
Marking its authenticity, the side proudly displays the signature of Tapio Wirkkala, inscribed in diamondpen. These fine examples of model 3342 remains in good original condition, a testimony to its enduring beauty and careful preservation.
About Tapio Wirkkala
Tapio Wirkkala (1915 Hanko, Finland – 1985 Helsinki, Finland) A giant of Finnish design, possessed an extraordinary creative spirit that knew no boundaries. His artistic repertoire traversed diverse materials and transcended conventional design disciplines, leaving an indelible mark on the world of art and craftsmanship.
The trajectory of Wirkkala’s illustrious career was set in motion by a momentous glass design competition held by the revered Iittala glassworks in 1946. It was during this transformative event that Wirkkala, alongside the esteemed Kaj Franck, emerged as the joint recipients of the first prize. This recognition propelled Wirkkala into the spotlight, setting the stage for his remarkable artistic journey.
Wirkkala’s creative genius knew no bounds. His oeuvre spanned a vast spectrum, encompassing exceptionally beautiful glass art pieces, innovative industrial designs such as beer bottles and banknotes, meticulously crafted jewelry, evocative sculptures, and thoughtfully designed furniture. Each creation bore the unmistakable imprint of Wirkkala’s artistic prowess, showcasing his mastery over form, function, and aesthetics.
Throughout his illustrious career, Wirkkala amassed a multitude of accolades, honorary titles, and a doctorate, cementing his position as one of the most revered figures in the design world. His remarkable achievements include three Grand Prix medals at the prestigious Milan Triennale in 1954, followed by yet another Grand Prix medal and gold medal at the Milan Triennale in 1960. These prestigious awards not only celebrated Wirkkala’s unrivaled talent but also underscored his profound impact on the global design landscape.
Wirkkala’s creative journey was an embodiment of innovation, pushing the boundaries of design and challenging conventional norms. His unparalleled ability to infuse beauty into everyday objects and elevate them to the realm of art garnered admiration and acclaim from enthusiasts and experts alike.
Today, we celebrate Tapio Wirkkala as a visionary pioneer who seamlessly merged artistry with functionality. His enduring legacy serves as a testament to the limitless possibilities of design, inspiring generations of artists and designers to think beyond the confines of tradition and embrace their creative instincts.